For one thing, conductor John Butt seems to understand the dynamic of this somewhat troublesome work better than most other … Bach's Magnificat & Easter Oratorio from McCreesh, Part 2: Donald Satz wrote (April 6, 2001): Bach's Magnificat in D major, BWV 243, like the Easter Oratorio, began its life in another form. Once in while a recording comes along in which the performers, producers, and recording team get everything right. Bach Recordings. The first three movements of the Easter Oratorio are all in triple time (unique in Bach’s oeuvre), laid out like a concerto of the period: a festive sinfonia scored for trumpets, drums, oboes, bassoon and strings, a superbly crafted adagio for oboe (or flute) and strings redolent of a Venetian slow movement, and then a lively da capo chorus. ArkivMusic - The Source for Classical Music! First issued in 1995, this production of Bach’s Easter “oratorium” easily can claim supremacy among several very good alternatives. This is one of them. Bach composed it in Leipzig and first performed it on 1 April 1725. A divine Easter tradition. [4/14/2000], J.S. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach’s choral movements. It prevails, with introspective diversions, to the end of the oratorio. Retrospect Ensemble employs large-scale forces for this recording including four-part choir and orchestra (including timpani). Title from container. The 1 st 3 mvts. This is one of them. After recently discovering an acetate LP master in her archive, the pi...  Continue Reading, Although Louis Vierne composed his six organ symphonies with the sound of the Romantic Cavaillé-Coll church organs and large cathedrals in mind, one can argue that smaller spaces better absorb the mu...  Continue Reading. A brilliant pairing of Bach’s Easter Oratorio and Magnificat, directed by Paul McCreesh and the period experts of the Gabrieli Consort & Players. St. John Passion – Bach. Once in while a recording comes along in which the performers, producers, and recording team get everything right. The best estimate for the composition of the Brandenburg Concerti (BWV 1046-1051) lies between 1718 and 1720 or 1721. Music of the music of the Easter Oratorio originated in 1725 in Bach’s cantata Entflieht, Verschwindet, entweich ihr Sorgen, which was written for the birthday of Duke Christian of Saxe-Weissenfled. History. This had a short-lived life on CD as part of an 4-disk recording that included many great Bach cantatas by these forces (Nine Cantatas B00000I6N9 ) and an even shorter life on an individual CD with the cantata BWV 4, Christ lag in Todesbanden (Christ lay in … Complete your Johann Sebastian Bach, Gabrieli Consort & Players*, Paul McCreesh collection. When Bach performed the oratorio again a few years before his death, the oboe solo was played by a transverse flute, just as in this performance. This recording could well correct the unfortunate situation. Largely cobbled from an earlier secular cantata for a duke’s birthday, the music is some of Bach’s most poignant while being alternately festive and meditative. It’s worth owning the disc for the performance of this chorus alone. BACH - Easter Oratorio BWV 249; Cantata BWV 66 "Erfreut euch, ihr Herzen", Carlton Classics’ CD reissue of Charles Rosen’s 1977 Beethoven Diabelli Variations lasted for ab...  Continue Reading, The Bottom Line: This tribute to the intelligence, musicianship and questing spirit of Richard Bonyn...  Continue Reading, Pianist Éric Heidsieck’s Erato and HMV recordings made little headway outside of his native Franc...  Continue Reading, This is the CD I only could have dreamed about in the 1970s. The program’s other work isn’t just a bonus, it’s a full-fledged partner to the oratorio. There are no “roles” as we find in the Passions, no Evangelist-type recitatives, no chorales, and there’s no real dramatic story line. First issued in 1995, this production of Bach’s Easter “oratorium” easily can claim supremacy among several very good alternatives. Bach’s Easter Oratorio continues to suffer comparative neglect, which is puzzling when you consider that it contains a spectacular opening chorus and one or two of his very best arias. ), Big Boxes: Éric Heidsieck’s Erato and HMV Recordings, Virtuosi Singing And Playing–Rossini Tenors, Crumb’s Metamorphoses (Book 1): True to Form, Elmas’ Chopinesque (Sort Of) Piano Concertos, Three Idil Biret Gaspards For The Price Of One. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach's choral movements. Brandenburg Concertos, Karl Richter and the Munich Bach Orchestra. Showing 1 - 10 of 27 results … Gardiner, of course, is at his best in projecting energy, but he can elicit introspection as well. This is not a fancy, high-gloss “e-zine,” but rather a simple, straightforward newsletter-style section of our website designed for ease of reading and packing the maximum amount of useful information into each issue. The paintings are by Klee, van Gogh, Chagall, Whistler, Jasper Johns, ...  Continue Reading, Bach’s motets are difficult as the dickens but among the most beautiful, uplifting, and refined works of a composer’s output that is positively stacked with beautiful, uplifting, and refined works...  Continue Reading, Stéphan Elmas (1862-1937) was, according the booklet notes accompanying this release, the first Armenian composer of note to write a piano concerto, and although the two works on this disc date from ...  Continue Reading, Idil Biret first recorded Ravel’s Gaspard de la nuit in 1965 for the Vega label, but she did not approve its issue at the time. Note mentions two possible subjects, but he can elicit introspection as well Bach Orchestra choral.... 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