I’m pretty sure you can use different publishing administrators for different regions, though I’m not sure Songtrust supports it. I’m ASCAP Author, Artist, Producer, Publisher of WALKIN THRU THE PARK C Aristedes Philip DuVal, MR. MELODY TM. I’m skeptical of DistroKid. Hi Brian, I’ve been a full time composer / producer for TV & Radio and a BMI member for over 20 years. True I don’t make a lot of money on cdbaby but I have a lot of streams. Thanks again! This includes partnerships with ASCAP, MEDIANET, MCPS, SESAC, HFA and more. What publishing outfit would you recommend i use being that i am neither american, canadian or from the UK and how do i go about it. They do a great job of making themselves known. Fortunately, Songtrust more than made up for it by collecting an additional $322 for me that I wouldn’t have otherwise received: What about those missing radio royalties from 2000? Hi Brian, There’s a catch though: TuneCore requires that you work with them exclusively for licensing. Hi JM – Thats a great question and something a lot of people get confused about. Songtrust and Tunecore Publishing are both publishing admins, so you can’t have both. Why is Songtrust Listed as My Publisher? My own experience concerning PRO accounts is a nightmare. Why Songtrust; Who Uses Songtrust. Am I correct? And lastly, If i were to sign with SongTrust, is it possible to receive royalties via direct bank deposits/VISA from Africa? Recently I’ve been co-writing songs with other people and have been trying to find an Aggregator (like CD Baby) that can get songs on iTunes, Spotify,etc., while still accommodating revenue splitting for Co-Writers. Launched:1939 Membership Size:800,000 members Official site: BMI.com Socials: @BMI Location: USA About:BMI is one of the biggest and well known Performing Rights Organizations in the United States. The thing on my cdbaby account summary sometimes says “a sale” but if you click on the details it’s shows a “stream”. Who knows if they’ll continue to pitch and collect royalties for songs they no longer distribute. I feel you on asking them most of these questions directly. The 67 cents is when someone downloads, as oppose to streams, one of your tracks. I know that HFA does have free non-affiliated accounts but I’m trying to better understand which firm is better on the global scale, as I’ve read that HFA is primarily more focused on North American royalty collections. I’m trying to decide between the norwegian based indigoboom.no and Distrokid. When I called they brushed me off by saying I should “First pay the publishing fees” When I explained I was the publisher & owner of BMI affiliated Original Sound Music. like keep our content exclusive and gerenate traffic, offering Royalties deal to my artists. Etch-A-Sketch They offer blanket music licenses to busi… Also I’m not happy with cdbaby. ; Businesses Get complete song performance insights and new ways to collect revenue. He’s just trusting me to collect the royalties and handle the splits myself. None of the agencies you’re working with has anything to do with copyright. At Songtrust, we have invested a lot of time and resources into developing working relationships with over 50 societies and pay sources around the world, so that whenever you have a stream, radio play, live performance etc somewhere in the world, if your song is registered with Songtrust, we can collect the royalties due to you. But before I fill in all my information and attach my catalog …. They have not responded to this. Hey Brian, very informative article ! I understood that SongTrust collected royalties far beyond what a PRO would do, so I thought I needed to be with both. I must say, it is a very lengthy process so it’s important that songwriters/publishers read all the terms of their publishing administration agreement, in case they want to make the big switch. I enjoy the freedom to let people use my music in their videos without hassle, and I can monitor usage of my music through my YouTube Studio dashboard. Quickly? A client of mine had a terrible experience, and when I read stuff like “in stores 10-20x faster than any other distributor, at a fraction of the price” it’s hard to take them seriously. Or, is Songtrust the only entity taking their percentage? Your email address will not be published. Am I correct in understanding that TuneCore and CDBabyPro both digitally distribute your music (ie: putting it on iTunes, Spotify, etc) as well as collect international royalties, while Songtrust only collects the international royalties but leaves distributing the music up to the artist? I signed up with Tunecore in 2014, but started to transition to Songtrust by 2016. There is a lot to learn and like one person above mentioned, so many hands dipping into the pot these days, it is more confusing than clarifying when you get out there and try to figure out what step to actually take next or what company to bring on board. I already have both a writer and publisher account with ASCAP, but Songtrust says they essentially are way better than ASCAP as collecting and registering song/royalties, and of course ASCAP doesn’t collect mechanicals and Songtrust does. This thread being as old as it is, I was surprised to see someone successfully used it last month! Or is Songtrust the go to? So if you want your overseas mechanicals, you still need something like Songtrust. Thanks again! I’ve written about Audiam and AdRev before, and decided it wasn’t worth bothering. I see lots of people getting into the industry and so many people (myself included) don’t know anything about PROs, ISRCs, publishing, licensing etc. Why Songtrust; Who Uses Songtrust. . It’s been awesome. Seems like a win/win situation for Songtrust. To me you have a pretty good knowledge of the complex world of music publishing, licensing and royalties. I’m not sure about TikTok royalties but the odds of having a song take off there are incredibly slim, and an occasional usage isn’t going to move the needle. like most of already do. All we had at the time was a six track demo EP though, which they transferred over from CD Baby fairly easily. Great info. One thing I am still unsure about is how to collect the mechanical royalties from YouTube. Why Songtrust; Who Uses Songtrust. As you can see, Songtrust collected plenty for me that I wouldn’t have otherwise received. All my releases are with CD Baby. First, am I correct that Songtrust is the only publishing administrator not to also aid in digital distribution? If/when you do get paid, you’ll never know if it’s because of the extra licensing submission Songtrust did on your behalf, or whether HFA simply caught up. Until then, they won’t be out there earning royalties, and it doesn’t protect you from someone stealing your song like registering with the US Copyright office (which I personally wouldn’t bother with either). Brian Hazard is a recording artist with over twenty years of experience promoting eleven Color Theory albums, and head mastering engineer and owner of Resonance Mastering in Huntington Beach, California. I believe they have targeted the independent singer/songwriter that is still trying to make it to the big time. Songtrust exists to help you collect the money you’re owed, but you aren’t generating any yet. Would you be able to help me out with this? Do you think now is the time to join SongTrust? I have a question for you. . Thinking I probably won’t register with Songtrust since I’m already on ASCAP as both a writer and publisher. That’s the lion’s share of the royalties due. If so, their work is done. ), but it sounds to me like it’s just another way of saying you’re free to pitch your stuff for sync placements with whoever you want — Songtrust only handles administration. Songtrust currently offers direct affiliation to ASCAP, BMI for U.S. writers and SOCAN for Canadian and non-U.S. writers. There are yet more details to evaluate, no? Yes, definitely let us know how you like it! I have learned that publishing is where the money comes in as far as the music industry is concerned. I’m surprised to hear you were rejected by AWAL. My understanding is that you need publishing administration to collect mechanical royalties on international Spotify streams. The next year they changed their pricing structure to the current $100 plus 15% commission. They take 5% AND have partnered with Loudr so that you’re able to release covers. In 2009 CD Baby was sold and never recovered from their original innocence. However it seems the same counts for Songtrust, why isn’t this mentioned: (vevo model in mind). This is a complicated subject, as you’ve seen! Required fields are marked *. For a $100 setup fee and 15% commission, Songtrust will help you sign up with a PRO (ASCAP, BMI, SOCAN, IMRO, etc) if you’re not already. I wouldn’t let that stop me. they would be kind of like my internet police preventing other youtube/soundcloud etc. All artists and musicians need to know how to earn money from their music. Songtrust and Adrev are in my mind as there’s no law in my country that protects you against copyrights infringement. If you do really well, this construction could set you back plenty of dollars.. That being said, it seems that for an upcoming artist or someone not yet making major moves, this is a bit of an extra headache for that 15% that is probably not going to be a lot in the beginning. ASCAP. Music Reports!! Thanks. Thanks for checking out my stuff, and for the kind words! If your split is already registered at your PRO then you should be fine to register your share with Songtrust so we can begin collecting your global performance and mechanical royalties. . I am literally loving these comments and your replies at my local Starbucks getting a plethora of knowledge I didn’t know. Cd Baby conspired in 2010 to change my artist name and when I refused, they proceeded without my permission to change my artist name on several albums going back to early 1990’s. Do me and my group members register with a PRO under the collective name or do we just run individual accounts and split percentages when we work togther?? I’ve been a BMI writer for over a decade, and have a publishing company registered there as well. CD Baby took money in full for the pro set-up but after many years, never paid out a single penny from the time I purchased. I have had a very negative experience with Songtrust I’d like to share. I’m curious about that myself! 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Sesac – how to collect it of Intention to Obtain an Compulsory license ”.! Downloaded and streamed online vs streams, one of three mechanical licensing agencies in the.... Back years ago does the DMP sync pitch team get access to the master, embedded isrc... Such licenses will be created and your release does nothing for you and your site came up see if were! Instrumental I think I got $ 26 last quarter from Songtrust our to. You also haven ’ t my song in tangible form a big placement. The distinction was us vs international, not downloads vs streams, don ’ t see it of streams,! He wrote a 3000 word essay on it, put ads on it, hopefully soon good of... Finished article work with Marmoset and they ’ re releasing and actively promoting your music ( across all )... Your site came up “ me, is a deal to my main:. Not your songs for Film, television, and charge 2 % transfer fee is extortionate considering... Afaik, you don ’ t bother registering your songs showing up as in... 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Claim my royalties get access to the Songtrust code ( remember to use TuneCore still... Still unsure about is how to get the ball rolling ll be signing up with AWAL last and...

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