Tierney is married to a man she doesn’t love just so she can live in high society, and their friend (played by Anne Baxter), who had seemingly had everything figured out and was going to be happily married, lost her husband and child in a car accident and is now a drunk. It tapped with searing honesty into the complex mindset and emotions of a nation just beginning to recover from the devastation of World War II. The Razor's Edge. Studio Sound Department, Nathan Levinson, Sound Director, Writing (Original Screenplay) - Milton Holmes, Art Direction (Color) - Art Direction: Ted Smith; Interior Decoration: Jack McConaghy, Music (Song) - Some Sunday Morning in "San Antonio" Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler, Short Subject (One-reel) - Ralph Staub, Producer, Music (Song) - I'll Buy That Dream in "Sing Your Way Home" Music by Allie Wrubel; Lyrics by Herb Magidson, Sound Recording - Columbia Studio Sound Department, John P. Livadary, Sound Director, Actor - Cornel Wilde in "A Song to Remember", Writing (Original Motion Picture Story) - Ernst Marischka, Music (Music Score of a Dramatic or Comedy Picture) - Miklos Rozsa, Morris Stoloff, Cinematography (Color) - Tony Gaudio, Allen M. Davey, Sound Recording - General Service, Jack Whitney, Sound Director, Cinematography (Black-and-White) - George Barnes, Actor in a Supporting Role - Michael Chekhov in "Spellbound", Special Effects - Photographic Effects by Jack Cosgrove, Best Motion Picture - Selznick International Pictures, Music (Scoring of a Musical Picture) - Alfred Newman, Charles Henderson, Short Subject (One-reel) - Gordon Hollingshead, Producer, Music (Scoring of a Musical Picture) - Edward J. Kay, Sound Recording - Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director, Special Effects - Photographic Effects by A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald; Sound Effects by Michael Steinore, Music (Music Score of a Dramatic or Comedy Picture) - H. J. Salter, Art Direction (Color) - Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle, Special Effects - Photographic Effects by Lawrence W. Butler; Sound Effects by Ray Bomba, Music (Scoring of a Musical Picture) - Charles Wolcott, Edward Plumb, Paul J. Smith, Sound Recording - Walt Disney Studio Sound Department, C. O. Slyfield, Sound Director, Sound Recording - RCA Sound, W. V. Wolfe, Sound Director, Documentary (Short Subject) - United States Marine Corps, Music (Song) - Anywhere in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn, Music (Scoring of a Musical Picture) - Marlin Skiles, Morris Stoloff, Writing (Screenplay) - Tess Slesinger, Frank Davis, Sound Recording - Paramount Studio Sound Department, Loren L. Ryder, Sound Director, Actress - Greer Garson in "The Valley of Decision", Music (Music Score of a Dramatic or Comedy Picture) - Herbert Stothart, Writing (Original Screenplay) - Harry Kurnitz, Short Subject (One-reel) - Grantland Rice, Producer, Music (Song) - The Cat And The Canary in "Why Girls Leave Home" Music by Jay Livingston; Lyrics by Ray Evans, Music (Scoring of a Musical Picture) - Walter Greene, Music (Music Score of a Dramatic or Comedy Picture) - Arthur Lange, Hugo Friedhofer, Music (Scoring of a Musical Picture) - Ray Heindorf, Lou Forbes, Sound Recording - Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director, Music (Song) - So In Love in "Wonder Man" Music by David Rose; Lyrics by Leo Robin, Short Subject (One-reel) - Joseph O'Brien and Thomas Mead, Producers, Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields, Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter, Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes, Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer, Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. Willis, Hugh Hunt, John Bonar, Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Sam Comer, Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little, Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths, Art Direction: Ted Smith; Interior Decoration: Jack McConaghy, Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle, The Governments of Great Britain and the United States of America, United States Office of War Information Overseas Motion Picture Bureau, Charles Wolcott, Edward Plumb, Paul J. Smith, It Might As Well Be Spring in "State Fair" Music by Richard Rodgers; Lyrics by Oscar Hammerstein II, Accentuate The Positive in "Here Come the Waves" Music by Harold Arlen; Lyrics by Johnny Mercer, Anywhere in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn, Aren't You Glad You're You? 1946 Best Picture: The Best Years of Our Lives. 1 2. Best Actor: Ray Milland - The Lost Weekend. He’s gonna marry Gene Tierney, who loves that kind of life. A lot of people like to argue about 1946. It was filed under Movies, Oscars, The Oscar Quest and was tagged with 1946, Best Picture, Oscar, Oscar Quest, Oscars, The Oscar Quest. So to me, this is the weakest link in the bunch (even though I’d totally vote for it over The Razor’s Edge). And then the boy, upset that the deer is dead, runs away. Five years have passed since then. Other than that, I don’t love it. It's what Jesus would do. Look back at all of the Oscar best picture winners since 1928 with this film list. The Razor’s Edge — meh. And Power comes back and interacts with all these people, and eventually he starts to feel more for Baxter than he does for Tierney, since Tierney is still preoccupied with the superficiality of high society, and he helps Baxter get sober and turn her life around. Anne Baxter. As a result, the ceremony featured more glamour than had been present during the war. Best Picture: The Lost Weekend - Paramount. The only parts I found interesting were when Anne Baxter reappeared as a drunk. Brown, Sound Director, Documentary (Feature) - United States Army Air Force, Sound Recording - 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director, Art Direction (Color) - Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little, Actress - Gene Tierney in "Leave Her to Heaven", Documentary (Short Subject) - United States Office of War Information Overseas Motion Picture Bureau, Short Subject (Cartoon) - Eddie Selzer, Producer, Short Subject (Two-reel) - George Templeton, Producer, Cinematography (Black-and-White) - John F. Seitz, Music (Music Score of a Dramatic or Comedy Picture) - Miklos Rozsa, Art Direction (Black-and-White) - Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer, Actress - Jennifer Jones in "Love Letters", Music (Song) - Love Letters in "Love Letters" Music by Victor Young; Lyrics by Eddie Heyman, Music (Music Score of a Dramatic or Comedy Picture) - Victor Young, Music (Music Score of a Dramatic or Comedy Picture) - Karl Hajos, Actor in a Supporting Role - J. Carrol Naish in "A Medal for Benny", Writing (Original Motion Picture Story) - John Steinbeck, Jack Wagner, Short Subject (Cartoon) - Paul Terry, Producer, Actress in a Supporting Role - Ann Blyth in "Mildred Pierce", Cinematography (Black-and-White) - Ernest Haller, Actress in a Supporting Role - Eve Arden in "Mildred Pierce", Writing (Original Screenplay) - Myles Connolly, Art Direction (Color) - Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths, Writing (Original Motion Picture Story) - Alvah Bessie, Music (Music Score of a Dramatic or Comedy Picture) - Franz Waxman, Music (Music Score of a Dramatic or Comedy Picture) - Alexander Tansman, Actress in a Supporting Role - Angela Lansbury in "The Picture of Dorian Gray", Art Direction (Black-and-White) - Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. 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